From the mind of Roger Wyatt http://rogergwyatt.com these are things that I find interesting posterous.com Fri, 20 Jan 2012 13:25:00 -0800 New Project Starting - Animatronic Door Greeter http://rogergwyatt.com/new-project-starting-animatronic-door-greeter http://rogergwyatt.com/new-project-starting-animatronic-door-greeter

So we moved into a new house that has a space just crying out for something geeky and fun. What better solution could their be than an animatronic door greeter.

I'll call him "Edgar"

The alcove in the foyer is used right now for a fake plant, mostly because we have nothing else to put there.It was designed put put artwork, but it's too small and we have small kids that make artwork in a kid-reachable location a poor choice. However, it does have a built-in light, so I have power available for Edgar. With Wifi throughout the house and good signal everywhere, Edgar will be able to be just the input and output of the system. The rest will be an old PC that I will convert to a Linux server. And with a line of sight to the front door, I plan on implementing IR and video cameras to detect who is coming and going.

Edgar's capabilties

My plan is that Egar will be able to determine who opened the door whether entering or leaving and map that to a profile on the server and respond appropriately. Linking with weather feeds Edgar will be able to remind us to take a jacket, an umbrella, etc.

I want to design a complete face in rubber for Edgar so I can blend him into the alcove - Edgar should be a face in the wall. When we pass through the foyer, he should wake up (if it's night time). Eyes and mouth should move correctly.

I'm planning on using IR sensors to be able to detect family members based on size. This will probably be the most difficult part, as the IR signature would change based on other factors.

I also want to incorporate voice commands for all the family. Probably keep it basic like "Hello Edgar", "What's the weather?" -- limited. Edgar will respond vocally.

Stay tuned

I'll keep posting here as I go along. I need to get the parts together, program an Arduino for the movement, and wifi connectivity, get my Linux server built to process the data, etc. Gonna be a good project.

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Wed, 14 Dec 2011 10:46:00 -0800 PHP Unit Testing Zend_Framework Controllers With ExtJS http://rogergwyatt.com/php-unit-testing-zendframework-controllers-wi http://rogergwyatt.com/php-unit-testing-zendframework-controllers-wi

I have an application that uses Zend_Framework for the Controller and Model, and uses ExtJS to handle the view. All of the user interface handling is managed on the client. Therefore my controllers return only JSON data to communicate with the stores

In setting up my PHPUnit test environment I found I had a couple of hurdles to overcome. First was the usual issues with getting the Zend Framework parts to work by setting up the bootstrap.php file correctly. The other issues had to do with retrieving the JSON data to compare for the results.

If you are setting up PHPUnit testing against a Controller that returns JSON you are going to need to:

1) Make sure your post format is correct. Remember, ExtJS sends JSON encoded form data in the form submittal.

$this->request->setPost(

array(
"data"=>Zend_Json::encode(array(

"field1"=>value1
"field2"=>value2

))

)

)

This assumes you use "data" as the parameter to pass the form data.

2) You need to capture the results and decode them

$results = $this->getFrontController()->getResponse()->getBody();

$resultsArray = Zend_Json::decode($results);

// now do your assertions, such as checking the success flag

 

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Wed, 20 Jul 2011 07:20:16 -0700 Spotify is as good as they said it was #spotify #itunes http://rogergwyatt.com/spotify-is-as-good-as-they-said-it-was-spotif http://rogergwyatt.com/spotify-is-as-good-as-they-said-it-was-spotif After playing around with Spotify over the weekend, I REALLY like it. If you don't know what it is, think of a radio station where you can pick any song they have and play it when you want to hear it as much as you like. From a UI standpoint, it's iTunes without purchasing the song. Downside is that the mobile platform is only for paying subscribers, but as an application to use while I'm programming, it's awesome.

The UI is easily navigable, since it's set up like iTunes. Search works really well.

The sound quality is much better than Pandora. In Pandora, the low frequencies are sometimes thin, in Spotify bass booms through the headphones like it should and the sound is full, rich, and wonderful.

So, Spotify is everything I had heard it was and I'm stoked to be using it in the USA!

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Mon, 14 Mar 2011 11:42:59 -0700 Thinking about the MacBook Air http://rogergwyatt.com/thinking-about-the-macbook-air http://rogergwyatt.com/thinking-about-the-macbook-air

I looked at it again, paused, and looked at it again. Was all that really necessary? Maybe it was all my changing needs, but lugging around two laptops had reached the end of my tolerance.

Okay, so I really don't need to lug around two laptops, but thanks to Microsoft ditching their software vault and me not realizing that I had my copy of Visual Studio in the vault when it ended, I can't transfer the software to my new laptop. So, I lug around the old laptop for doing Visual Studio work, which is less and less each day as the project that needed that tool fades into the distance. I'm onto Ruby and Android development now and even my new laptop has become a drag - literally.

Let me go back in time

When my less-than-recent laptop started acting funny, I thought it best to invest in a new one before the old one died. I wanted more screen so I got a 17" HP. I really liked it even though it was quite heavy. More screen = better. However, now I'm reconsidering the decision.

Enter the thoughts of MacBook Air

So now I'm thinking lighter is better and I'm looking at the MacBook Air (13" model) and I'm seriously considering it. It's about twice as much as I would spend on a Windows laptop, but there are other things that I want to do (Garageband is one of the bonuses in which I'm interested).

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Tue, 25 Jan 2011 22:14:00 -0800 My Experience with The Four-hour Body's Slow-Carb Diet http://rogergwyatt.com/my-experience-with-the-four-hour-bodys-slow-c http://rogergwyatt.com/my-experience-with-the-four-hour-bodys-slow-c

The mirror didn't lie, I had really let myself go. After seven months working my new job, living out of hotels did a number on me and it was time for a change. Living on restaurant food and working 12 hour days was adding up. In seven months, I had gained 15 pounds. Add that to the 30 pounds I had gained over the past 8 years running my own company (entrepreneurs seem to put on the weight), and I was a mess.

I also had had enough.

 

Enter The Four Hour Body

I had already read The Four Hour Workweek and really liked the concept of identifying the core elements necessary to achieve desired results. When Tim's new book came out, I glanced through it then added it to my Nook (BTW, love the Nook, I'll write about that later). I decided that January was the start of a new chapter. My birthday is right after Christmas, and who was I kidding, there was no way I would be able to start something during my week away from the road. So January I started following the Slow-Carb Diet.

 

The Road is a Tough Challenge

Until we move to the new job, I live in hotels for 4 nights a week. I don't have a kitchen because I really don't want to mess with all of that, but I had to start eating differently. I discovered several ways to eat the Four-Hour Body way with only a micro-fridge and a microwave. You can too, but you need a few things to get started.

1. Pick up a set of Ziploc microwaveable containers with lids. 3-4 should do you just fine

2. Pick up one good divided plastic container with lid. This makes it easy to heat up everything without making a bunch of dirty dishes to clean

3. A scale. I got one for $15 from Wal-Mart. It's thin, and packs in my suitecase. If I track my weight, I pay attention to what I eat.

4. A can opener. I forgot this one so now I carry it with me.

5. Pepper and cinnamon for some basic flavoring. Go out and buy spices that you like. Personally, I don't salt anything

Okay, now you have the basics and it's time to go shopping.

 

My Shopping List For the Road

3 packs of Tyson Grilled & Ready steak and chicken strips. Flavor is pretty good. It's not gourmet by any stretch, but it's pre-cooked, tasty and comes in a microwaveable pouch. I buy 3 because I don't do dinner in the hotel on Thursdays, I'm heading home.

1 six-pack of eggs

1 small container of Eggbeaters

Canned veggies and/or Mixed veggies in a steam pouch (from the freezer section). If I can get the small cans, I prefer them because it's pretty much a single serving. Remember, the less washing up the better and I don't have to store anything. I don't find lots of variety in the small cans so that's what the Ziploc containers are for.

1 jar of Salsa (great for breakfast)

A 12-pack of bottles water. I hate the tap water and usually drink 2 bottles each evening.

 

Microwaving My Way To Success

So now that I have my groceries, it's time to put them to use. The Slow-carb diet say to have protein within 1 hour of waking, preferably within 30 minutes of waking. So breakfast consists of:

Eggbeaters in one of the Ziploc containers with one egg mixed in. Microwave for 2-3 minutes. Be prepared to see the eggs inflate like a ballon while in the microwave. Looks weird the first time. When done, take them out, splash on some Salsa, maybe throw in some black beans and gobble it down. Grab a bottle of water and down it before leaving the room for work.

Lunch is usually El Pollo Loco (Love it!) or Boston Market (get the mixed vegatables and a 1/4 White - doubled up on the veggies and no cornbread).

Dinner is where I mix things up. I take one of the packages of Tyson meat. Heat it up a bit (it's more dense so it takes more heating up than the veggies). Dump it in one of the sections of the divided container. Pop open my choice of veggies for the evening - one in each of the other two sections. Cap and nuke it. Add some spices and a bottle of water and dinner is over.

 

How To Tackle Eating On The Road

Well, that takes care of my breakfast and dinner, I eat those in my room. Lunch is usually eating at a restaurant. However, when I'm travelling, I need to be able to eat without eating the bad carbs and it's not easy, but it's not THAT hard. Here are my favorites at common pitstops:

El Pollo Loco: The Chicken Caesar Salad (my typical lunch)

Wendy's: The Baja Chicken Salad - comes with Chili and the salad veggies. There is a small amount of cheese, but it's not piled on there

McDonald's: They have several salad choices, but one of my favorite tips is for the afternoon snack. I get two of their Grilled Chicken Snack Wraps, unroll them and eat the chicken, lettuce, etc and leave the tortilla.

Burger King: The new BK Garden Salad blows, don't buy it unless you are desperate.

Taco Bell: I haven't found anything at Taco Bell that isn't mostly rice so I pretty much have ditched it.

KFC: actually a choice on the road. They have a grilled chicken option now and when paired with corn or beans, you get your veggies without the starches.

Subway: No offense to Jared, but when I think Subway, I think a big, honking hunk of white bread. I know you can Saladify anything, but I haven't explored that.

Boston Market: If you run into one, the quality of the food makes it one of my favorite choices. Just stay away from the Creamed Spinach, Sweet Potatos or other bad carbs. Takes some willpower because their food is so good.

One thing I've noticed is that nothing that's appropriate for the Slow-Carb diet can be eaten while driving. This is a good thing. Makes you slow down which makes you eat better.

 

Results? You Bet

Three weeks into it and I've lost 10 pounds. I haven't exercised a bit because 1) It's too cold and 2) I'm working too much on this project. Each morning I weigh myself and I lose about 1.2 pounds per day. I set up a Google Docs spreadsheet to track it, and I can update via my Android phone so it's no problem to gather the data.

Unlike the Zone Diet or other diets, I'm never hungry. I also find that because I don't have to measure, count calories, or any of that nonsense it's easy to make it a habit. The core rules are:

1) Don't eat white foods or anything that can be turned into a white food.

2) Eat protein when you get up.

3) Eat every four hours.

4) Once per week, throw out the rules and eat whatever you want. Last weekend I had Mellow Mushroom's Pizza among other things. My weight went up all of 1.5 pounds for about 48 hours before my body got rid of the excess water.

Sure, Tim has six rules in the book and they improve the results. But if you remember those four you will have success.

 

So, there you go. An easy way to live for someone who has battled maintaining weight their entire life. Thanks, Tim!

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Sat, 15 Jan 2011 14:27:00 -0800 Redbox online is awesome http://rogergwyatt.com/redo-online-is-awesome http://rogergwyatt.com/redo-online-is-awesome

Easy to use and it beats the heck out of standing at the kiosk. Wish they had a real Android app, though. Would really make it easier when out and about. The site works find on Android 2.2, but a dedicated app would be much easier. For those with kids in the car, the app version would beat keeping them occupied while waiting in line and then getting them to decide. You could just discuss it with them, make the decision, and reserve it right them.

Picking it up from kiosk is just a matter of swiping your card and the movie is there.

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Tue, 20 Jul 2010 19:15:13 -0700 Anticipation - it keeps me waitin' http://rogergwyatt.com/anticipation-it-keeps-me-waitin http://rogergwyatt.com/anticipation-it-keeps-me-waitin I'm now second on the waiting list at my local Sprint store for my Evo. I was hoping it would come in today, but was told today that it would be Friday. I feel like a kid waiting for Christmas.

Htc-evo-4g

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Tue, 06 Jul 2010 17:40:38 -0700 ... maybe not, the Evo looks pretty darn good http://rogergwyatt.com/-maybe-not-the-evo-looks-pretty-darn-good http://rogergwyatt.com/-maybe-not-the-evo-looks-pretty-darn-good So I previously posted that I was going to go to the dark side, and pick up and iPhone and maybe a mac to start playing with. The iPhone would be my primary phone, but I've been really struggling with going through the hassles to leave Sprint, where I KNOW what my charges are going to be each month to the convoluted billing of AT&T. Really, the phone is great and although the Sith Lord Steve Jobs does pull the strings the gear is nice.

Then came the Evo 4g. What can I say - it is an incredible device and provides all the functionality I want. I can develop on it without paying $100/year. So, I think I'm going to belay the move to iPhone and AT&T.

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Sun, 27 Jun 2010 18:14:46 -0700 Going to the Dark Side http://rogergwyatt.com/going-to-the-dark-side http://rogergwyatt.com/going-to-the-dark-side After much back and forth, I've decided to go to the dark side - I'm going to buy an IPhone and a Mac. I still have my issues with the Sith Lord Steve Jobs control freakishness over apps, but their loosening of the provisioning rules for the IPhone apps, so I can develop apps and make them available to my customers to provision to their employees without going through the app store has made me really lean in Apple's direction.

iPhone Pros (iPhone 4)

  • what hasn't already been written about it. Great camera with flash, HD video, dual cameras, dual mics, etc.
  • WiFi connectivity when it's available so I'm not using my minutes or bandwidth most of the time
  • Great app SDK
  • Multi-tasking

iPhone Cons

  • Sith Lord Steve Jobs
  • Objective-C (have to learn it, but I write in a slew of languages anyway)
  • Can only develop apps on a Mac (have to buy a Mac)
  • Non-replaceable battery by me
So the alternative is an Android phone, but I haven't been blown away by anything on them. I'll be developing apps for it, but for my own phone, I'm going iPhone.

UPDATE
The issue with the reception on the phone (see Gizmodo, and just about any other outlet) hasn't made me rethink it. However, see Jobs' replies to his customers - typical Sith Lord response.

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Tue, 25 May 2010 17:04:00 -0700 The coolest flash fun website I've ever seen http://rogergwyatt.com/the-coolest-flash-fun-website-ive-ever-seen http://rogergwyatt.com/the-coolest-flash-fun-website-ive-ever-seen

Make your own beatbox group and change it as you go along. Really easy to use and really easy to create amazing loops.

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Sun, 09 May 2010 18:42:16 -0700 Virality is all about making your users look awesome in front of their friends - Henrik Werdelin http://rogergwyatt.com/virality-is-all-about-making-your-users-look-1 http://rogergwyatt.com/virality-is-all-about-making-your-users-look-1

A national study out of SDSU shows that 57% of young people believe their generation uses social networking sites for self-promotion, narcissism and attention seeking. This is important for you as a product developer/designer because this emotional-need forms the basis for creating virality in your products. People don’t just share messages to be nice to their friends. Take a look at Facebook or Twitter, for instance – often status messages are equally about saying something about the sender, so the important question you should ask yourself is: “How will the message I want spread make my audience look cool or clever to their friends, colleagues or customers?”

A few examples:

  1. Make them show they are early adopters. Make users feel important by giving them something to say about themselves, e.g. I am a user of this new cool software – it’s still in closed beta – but I can try to get you an invite.
  2. Make them seem funny or interesting. When adding a  ‘tell/invite a friend’ into your sign-up flow be sure to spend extra time making your invite email interesting. You are essentially the ghost-writer for your users. Make them sound funny or interesting – they will want to share your story with more people.
  3. Allow people to add their personal touch to your story. Users are more likely to spread stories that have their own personal touch. So leave room for them to add their fingerprint to your narrative easily. I guess my best example is to always allow for a bit of space when you do tweets – so people can add their own comment to your narrative. By doing that, you allow your audience to become co-senders. If that fails, then piggyback your message on to something entertaining, as a last resort, in case there is no other way to make the message itself cool to communicate. Just think of how OfficeMax have made you Elfyourself.com
  4. Make people better storytellers by giving them templates or ‘guide them’. Facebook’s initial status update did this delicately by adding the ‘Henrik is…’ to each update. This forced users to write a certain type of update and allowed them to be more creative by working within the template of the ‘Henrik is…’ template. A new trend is to give people personal information about themselves to share via Behaviour Generated Content generation.

Any other examples?

@werdelin

Very interesting post by Henrik Werdelin. This is especially true for Twitter retweets, I believe.

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Sat, 08 May 2010 19:17:07 -0700 A Single Molecule Computes Thousands of Times Faster than Your PC | Popular Science http://rogergwyatt.com/a-single-molecule-computes-thousands-of-times http://rogergwyatt.com/a-single-molecule-computes-thousands-of-times
Media_httpwwwpopscico_ofhht

We need to combine this with some incredible leaps in memory. So many applications are more memory access intensive (whether RAM or disk) that great leaps like this in Quantum Processing need a corresponding leap in storage access.

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Sat, 08 May 2010 05:14:43 -0700 Modern CSS Layouts, Part 2: The Essential Techniques - Smashing Magazine http://rogergwyatt.com/modern-css-layouts-part-2-the-essential-techn-0 http://rogergwyatt.com/modern-css-layouts-part-2-the-essential-techn-0

Smashing Magazine - we smash you with the information that will make your life easier. really.

Modern CSS Layouts, Part 2: The Essential Techniques

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In Modern CSS Layouts, Part 1: The Essential Characteristics, you learned that modern, CSS-based web sites should be progressively enhanced, adaptive to diverse users, modular, efficient and typographically rich. Now that you know what characterizes a modern CSS web site, how do you build one? Here are dozens of essential techniques and tools to learn and use to achieve the characteristics of today’s most successful CSS-based web pages.

Just as in the previous article, we’re not going to be talking about design trends and styles; these styles are always changing. Instead, we’re focusing on the specific techniques that you need to know to create modern CSS-based web pages of any style. For each technique or tool, we’ll indicate which of the five characteristics it helps meet. To keep this shorter than an encyclopedia, we’ll also just cover the basics of each technique, then point you to some useful, hand-picked resources to learn the full details.

You can jump straight to:

CSS3

CSS3, the newest version of CSS that is now being partially supported by most browsers, is the primary thing you need to know in order to create modern CSS web sites, of course. CSS is a styling language, so it’s no surprise that most of what’s new in CSS3 is all about visual effects. But CSS3 is about more than progressive enhancement and pretty typography. It can also aid usability by making content easier to read, as well as improve efficiency in development and page performance.

There are too many CSS3 techniques to cover in a single article, let alone an article that isn’t just about CSS3! So, we’ll go through the basics of the most important or supported CSS3 techniques and point you to some great resources to learn more in-depth.

CSS3 Visual Effects

Semi-transparent Color
Aids in: progressive enhancement, efficiency

RGBA allows you to specify a color by not only setting the values of red, green, and blue that it’s comprised of, but also the level of opacity it should have. An alternative to RGBA is HSLA, which works the same way, but allows you to set values of hue, saturation, and lightness, instead of values of red, green, and blue. The article Color in Opera 10 — HSL, RGB and Alpha Transparency explains how HSLA can be more intuitive to use than RGBA.

Part2 Rgba in Modern CSS Layouts, Part 2: The Essential Techniques

The 24 Ways web site makes extensive use of RGBA to layer semi-transparent boxes and text over each other.

RGBA or HSLA isn’t just about making things look cool; it can also improve your web site’s efficiency. You don’t have to take time to make alpha-transparent PNGs to use as backgrounds, since you can just use a color in the CSS, and the user agent doesn’t have to download those images when loading the site.

For more on how to use RGBA and HSLA, including fallback methods for browsers that don’t support it, see:

Styling Backgrounds and Borders
Aids in: progressive enhancement, efficiency

CSS3 offers a whole host of new ways to style backgrounds and borders, often without having to use images or add extra divs. Most of these new techniques already have good browser support, and since they’re mainly used for purely cosmetic changes, they’re a good way to get some progressive enhancement goodness going in your sites right away.

Here are some of the new things CSS3 lets you do with backgrounds:

  • Multiple backgrounds on a single element: You can now add more than one background image to an element by listing each image, separated by commas, in the background-image property. No more nesting extra divs just to have more elements to attach background images onto!
  • More control over where backgrounds are placed: The new background-clip and background-origin properties let you control if backgrounds are displayed under borders, padding, or just content, as well as where the origin point for background-position should be.
  • Background sizing: You can scale background images using the new background-size property. While scaling won’t look good on many background images, it could be really handy on abstract, grunge-type backgrounds, where tiling can be difficult and where some image distortion would be unnoticeable.
  • Gradients: While just part of a CSS3 draft spec, Safari, Chrome and Firefox support declaring multiple color and placement values in the background-image property to create gradients without images. This allows the gradients to scale with their container — unlike image gradients — and eliminates the need for page users to download yet another image while viewing your site.

CSS3 lets you do the following with borders:

  • Rounded corners: Use the border-radius-property to get rounded corners on divs, buttons, and whatever else your heart desires — all without using images or JavaScript.
  • Images for borders: With CSS 2.1, the only way to create a graphic border was to fake it with background images, often multiple ones pieced together on multiple divs. You can now add unique borders without having to use background images by adding the images to the borders directly, using the new border-image property, which also allows you to control how the images scale and tile.

Part2 Borderradius in Modern CSS Layouts, Part 2: The Essential Techniques

The border-radius property can be used to round corners and even create circles out of pure CSS, with no images needed. (Stunning CSS3 web site)

These background and border techniques have already been covered well in a lot of great articles and tutorials, so check these out for the details:

Drop Shadows
Aids in: progressive enhancement, adaptability, efficiency

Drop shadows can provide some visual polish to your design, and now they’re possible to achieve without images, both on boxes and on text.

The box-shadow property has been temporarily removed from the CSS3 spec, but is supposed to be making its re-appearance soon. In the meantime, it’s still possible to get image-free drop shadows on boxes in Firefox and Safari/Chrome using the -moz-box-shadow and -webkit-box-shadow properties, respectively, and in Opera 10.5 using the regular box-shadow property with no prefix. In the property, you set the the shadow’s horizontal and vertical offsets from the box, color, and can optionally set blur radius and/or spread radius.

Part2 Boxshadow in Modern CSS Layouts, Part 2: The Essential Techniques

The Cherry web site uses drop shadows created with box-shadow on many boxes and buttons.

The text-shadow property adds drop shadows on — you guessed it — text. It’s supported by all the major browsers except — you guessed it — Internet Explorer. This makes it the perfect progressive enhancement candidate — it’s simply a visual effect, with no harm done if some users don’t see it. Similarly to box-shadow, it takes a horizontal offset, vertical offset, blur radius and color.

Using text-shadow keeps you from resorting to Flash or images for your text. This can speed up the time it takes you to develop the site, as well as speed up your pages. Avoiding Flash and image text can also aid accessibility and usability; just make sure your text is still legible with the drop shadow behind it, so you don’t inadvertently hurt usability instead!

For more on box and text drop shadows, see:

Transforms
Aids in: progressive enhancement, adaptability, efficiency

CSS3 makes it possible to do things like rotate, scale, and skew the objects in your pages without resorting to images, Flash, or JavaScript. All of these effects are called “transforms.” They’re supported in Firefox, Safari, Chrome, and Opera 10.5.

You apply a transform using the transform property, naturally (though for now you’ll need to use the browser-specific equivalents: -moz-transform, -webkit-transform, and -o-transform). You can also use the transform-origin property to specify the point of origin from which the transform takes place, such as the center or top right corner of the object.

In the transform property, you specify the type of transform (called “transform functions”), and then in parentheses write the measurements needed for that particular transform. For instance, a value of translate(10px, 20px) would move the element 10 pixels to the right and 20 pixels down from its original location in the flow. Other supported transform functions are scale, rotate, and skew.

Part2 Transform in Modern CSS Layouts, Part 2: The Essential Techniques

The BeerCamp SXSW 2010 site scales and rotates the sponsor logos on hover.

For the full syntax on these transform functions, as well as examples of how to use them, see:

Animation and Transitions
Aids in: progressive enhancement, efficiency

Animation is now no longer the solely the domain of Flash or JavaScript — you can now create animation in pure HTML and CSS. Unfortunately, CSS3 animation and transitions do not have very good browser support, but as with most of the effects we’ve talked about so far, they’re great for adding a little non-essential flair.

CSS3 transitions are essentially the simplest type of animation. They smoothly ease the change between one CSS value to another over a specified duration of time. They’re triggered by changing element states, such as hovering. They’re supported by Safari, Chrome, and Opera 10.5.

To create a transition, all you have to do is specify which elements you want to apply the transition to and which CSS properties will transition, using the transition-property property. You’ll also need to add a transition-duration value in seconds (“s” is the unit), since the default time a transition takes is 0 seconds. You can add them both in the transition shorthand property. You can also specify a delay or a timing function to more finely tune how the two values switch.

Transitions are easiest to understand with live examples, so check out:

Beyond transitions, full-fledged animations with multiple keyframes are also possible with CSS3 (but currently only supported in Safari/Chrome). First, you give the animation a name and define what the animation will do at different points (keyframes, indicated with percentages) through its duration. Next, you apply this animation to an element using the animation-name, animation-duration, and animation-interation-count properties. You could also set a delay and timing function, just like with transitions. For details, see:

CSS3 Usability / Readability Enhancements

Most the CSS3 techniques we’ve gone over so far have been purely cosmetic effects that aid progressive enhancement. But CSS3 can also be used to improve the usability of your pages.

Creating Multiple Columns of Text
Aids in: progressive enhancement, adaptability

Some pieces of text are more readable in narrow, side-by-side columns, similar to traditional newspaper layout. You can tell the browser to arrange your text into columns by either defining a width for each column (the column-width property) or by defining a number of columns (the column-count property). Other new properties let you control gutters/gaps, rule lines, breaking between columns and spanning across columns. (For now, you need to use the browser-specific prefixes of -moz and -webkit.) This is another one of those techniques that can harm instead of aid usability if used improperly, as explained in “CSS3 Multi-column layout considered harmful,” so use it judiciously.

For details, see:

Controlling Text Wrapping and Breaking
Aids in: adaptability

CSS3 gives you more control over how blocks of text and individual words break and wrap if they’re too long to fit in their containers. Setting word-wrap to break-word will break a long word and wrap it onto a new line (particularly handy for long URLs in your text). The text-wrap property gives you a number of options for where breaks may and may not occur between words in your text. The CSS2 white-space property has now in CSS3 become a shorthand property for the new white-space-collapse and text-wrap properties, giving you more control over what spaces and line breaks are preserved from your markup to the rendered page. Another property worth mentioning, even though
it’s not currently in the CSS3 specification, is text-overflow, which allows the browser to add an ellipsis character (…) to the end of a long string of text instead of letting it overflow.

For details, see:

Media Queries
Aids in: adaptability, efficiency

CSS2 let you apply different styles to different media types — screen, print, and so on. CSS3’s media queries take this a step further by letting you customize styles based on the user’s viewport width, display aspect ratio, whether or not his display shows color, and more. For instance, you could detect the user’s viewport width and change a horizontal nav bar into a vertical menu on wide viewports, where there is room for an extra column. Or you could change the colors of your text and backgrounds on non-color displays.

Part2 Mediaqueries1 in Modern CSS Layouts, Part 2: The Essential Techniques

Part2 Mediaqueries2 in Modern CSS Layouts, Part 2: The Essential Techniques

This demo file from Opera uses media queries to rearrange elements and resize text and images based on viewport size.

Media queries couldn’t come at a better time — there is more variety in the devices and settings people use to browse the web than ever before. You can now optimize your designs more precisely for these variations to provide a more usable and attractive design, but without having to write completely separate style sheets, use JavaScript redirects, and other less efficient development practices.

Media queries are supported to some degree by all the major browsers except IE, and there are lots of great articles and tutorials explaining how to use them right now:

Media queries are particularly helpful in serving alternate styles to small-screen mobile devices, as these articles and tutorials explain:

For other options on how to deal with mobile devices, see Mobile Web Design Trends For 2009.

Improving Efficiency Through CSS3

Many of the visual effect properties of CSS3 that we’ve gone over have a great bonus in addition to making your design look great: they can improve efficiency, both in your development process and in the performance of the pages themselves.

Any CSS3 property that keeps you from having to create and add extra images is going to reduce the time it takes you to create new pages as well as re-skin existing ones. Less images also mean less stuff for the server to have to send out and less stuff for the users to download, both of which increase page loading speed.

CSS3 properties that keep you from having to add extra divs or extra classes can also reduce your development time as well as file size. We’ve already gone over some great techniques that help with this, but there are a few more worth mentioning.

The box-sizing Property
Aids in: efficiency

In addition to the div-conserving properties we’ve already talked about, the box-sizing property can also help limit your div use in certain situations.

In the traditional W3C box model of CSS 2.1, the value you declare for a width or height controls the width or height of the content area only, and then the padding and border are added onto it. (This is called the content-box model.) If you’ve worked with CSS for a while, you’re probably used to the content-box box model and don’t really think much about it. But, it can lead you to add extra divs from time to time. For instance, if you want to set a box’s width and padding in different units of measurement from each other, like ems for the width and pixels for the padding, it’s often easiest to nest another div and apply the padding to this instead, to make sure you know how much total space the box will take up. In small doses, nesting additional divs simply to add padding or borders is not a great sin. But in complicated designs, the number of extra divs can really add up, which adds to both your development
time and the file size of the HTML and CSS.

Setting the new box-sizing property to border-box instead of content-box solves this problem so you can get rid of all those extra divs. When a box is using the border-box box model, the browser will subtract the padding and border from the width of the box instead of adding it. You always know that the total space the box takes up equals the width value you’ve declared.

Part2 Boxsizing in Modern CSS Layouts, Part 2: The Essential Techniques

In the traditional box model (bottom image), padding and border are added onto the declared width. By setting box-sizing to border-box (top image), the padding and border are subtracted from the declared width.

The box-sizing property has good browser support, with the exception of IE 6 and IE 7. Unlike the more decorative CSS3 properties, however, lack of support for box-sizing could cause your entire layout to fall apart. You’ll have to determine how serious the problem would be in your particular case, whether it’s worth living with or hacking, or whether you should avoid using box-sizing for now.

For details, see:

CSS3 Pseudo-Classes and Attribute Selectors
Aids in: progressive enhancement, efficiency, modularity, rich typography

CSS has several really useful selectors that are only now coming into common use. Many of these are new in CSS3, but others have been around since CSS2, just not supported by all browsers (read: IE) until recently, and thus largely ignored. IE still doesn’t support them all, but they can be used to add non-essential visual effects.

Taking advantage of these newer, more advanced selectors can improve your efficiency and make your pages more modular because they can reduce the need for lots of extra classes, divs, and spans to create the effects you want to see. Some selectors even make certain effects possible that you can’t do with classes, such as styling the first line of a block of text differently. These types of visual effects can improve the typography of your site and aid progressive enhancement.

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For details, see:

Read these articles and tutorials for examples of how to put advanced selectors to practical use right now:

HTML5

Although this article is focused on modern CSS techniques, you can’t have great CSS-based web pages without great markup behind them. Although HTML5 is still in development, and although debate continues about its strengths and weaknesses, some web developers are already using it in their web pages. While HTML 4.01 and XHTML 1.0 are still great choices for the markup of your pages, it’s a good idea to start learning what HTML5 has to offer so you can work with it comfortably in the future and perhaps start taking advantage of some of its features now. So, here is a brief overview of how HTML5 can help with our five modern CSS-based web design characteristics (progressive enrichment, adaptive to diverse users, modular, efficient, typographically rich).

Note: Many of these techniques are not supported in enough browsers yet to make their benefits really tangible, so think of this section as, perhaps, “here’s how HTML5 can aid these five characteristics in the future.”

New Structural Markup

Aids: adaptability, modularity, efficiency

HTML5 introduces a number of new semantic elements that can add more structure to your markup to increase modularity. For instance, inside your main content div you can have several article elements, each a standalone chunk of content, and each can have its own header, footer, and heading hierarchy (h1 through h6). You can further divide up an article element with section elements, again with their own headers and footers. Having clearer, more semantic markup makes it easier to shuffle independent chunks of content around your site if needed, or syndicate them through RSS on other sites and blogs.

In the future, as user agents build features to take advantage of HTML5, these new elements could also make pages more adaptable to different user scenarios. For instance, web pages or browsers could generate table of contents based on the richer hierarchy provided by HTML5, to assist navigation within a page or across a site. Assistive technology like screen readers could use the elements to help users jump around the page to get straight to the important content without needing “skip nav” links.

Although many of these benefits won’t be realized until some unforeseen time in the future, you can start adding these new elements now, so that as soon as tools pop up that can take full advantage of them, you’ll be ready. Even if your browser doesn’t recognize an element, you can still style it — that’s standard browser behavior. Well, in every browser but IE. Luckily, you can easily trick IE into styling these elements using a very simple piece of JavaScript, handily provided by Remy Sharp.

Of course, you usually can’t depend on all your users having JavaScript enabled, so the very safest and most conservative option is to not use these new structural elements just yet, but use divs with corresponding class names as if they were these new elements. For instance, where you would use an article element, use a div with a class name of “article.” You can still use the HTML5 doctype — HTML5 pages work fine in IE, as long as you don’t use the new elements. You can then later convert to the new HTML5 elements easily if desired, and in the meantime, you can take advantage of the more detailed HTML5 validators. Also, using these standardized class names can make updating the styles easier for both you and others in your team, and having consistent naming conventions across sites makes it easier for users with special needs to set up user style sheets that
can style certain elements in a needed way.

For more on HTML5 markup, see:

Reducing JavaScript and Plug-in Dependence

Aids in: adaptability, efficiency

A number of the new elements and features in HTML5 make effects possible with pure markup that used to be possible only with JavaScript or various third-party plug-ins, like Flash or Java. By removing the need for JavaScript and plug-ins, you can make your pages work on a wider variety of devices and for a wider variety of users. You may also make your development process quicker and more efficient, since you don’t have to take the time to find the right script or plug-in and get it all set up. Finally, these techniques may be able to boost the speed of your pages, since extra files don’t have to be downloaded by the users. (On the other hand, some may decrease performance, if the built-in browser version is slower than a third-party version. We’ll have to wait and see how browsers handle each option now and in the future.)

Some of the features that reduce JavaScript and plug-in dependence are:

  • New form elements and attributes. HTML5 offers a bunch of new input types, such as email, url, and date, that come with built-in client-side validation without the need for JavaScript. There are also many new form attributes that can accomplish what JavaScript used to be required for, like placeholder to add suggestive placeholder text to a field or autofocus to make the browser jump to a field. The new input types degrade to regular inputs in browsers that don’t support them, and the new attributes are just ignored, so it doesn’t hurt unsupporting browsers to start using them now.

    Of course, you’ll have to put in fallback JavaScript for unsupporting browsers, negating the “no JavaScript” benefits for the time being. (Or, depend on server-side validation—which you always ought to have in place as a backup behind client-side validation anyway—to catch the submissions from unsupporting browsers.) Still, they offer a nice usability boost for users with the most up to date browsers, so they’re good for progressive enhancement.

  • The canvas element. The canvas element creates a blank area of the screen that you can create drawings on with JavaScript. So, it does require the use of JavaScript, but it removes the need for Flash or Java plug-ins. It’s supported in every major browser but IE, but you can make it work in IE easily using the ExplorerCanvas script.
  • The video and audio elements. HTML5 can embed video and audio files directly, just as easily as you would add an image to a page, without the need for any additional plug-ins.

Part2 Html5form in Modern CSS Layouts, Part 2: The Essential Techniques

Some of the new input types in HTML5 will bring up widgets, such as the calendar date picker seen with the datetime input type in Opera, without needing any JavaScript. (HTML5 input types test page)

For more on these features, see:

IE Filtering

Aids in: progressive enhancement

IE 6 doesn’t seem to be going away anytime soon, so if you want to really make sure your pages are progressively enhanced, you’re going to have to learn how to handle it. Beyond ignoring the problem or blocking IE 6 altogether, there are a number of stances you can take:

  • Use conditional comments to fix IE’s bugs: You can create separate style sheets for each version of IE you’re having problems with and make sure only that version sees its sheet. The IE sheets contain only a few rules with hacks and workarounds that the browser needs.
  • Hide all main styles from IE and feed it very minimal styles only: This is another conditional comment method, but instead of fixing the bugs, it takes the approach of hiding all the complex CSS from IE 6 to begin with, and only feeding it very simple CSS to style text and the like. Andy Clarke calls this Universal Internet Explorer 6 CSS.
  • Use JavaScript to “fix” IE: There are a number of scripts out there that can make IE 6 emulate CSS3, alpha-transparent PNGs, and other things that IE 6 doesn’t support. Some of the most popular are ie7-js, Modernizr, and ie-css3.js.

In addition to the resources linked in the text above, you can learn more about how to handle IE at:

Flexible Layouts

Aids in: adaptability

One of the main ways you can make your sites adaptable to your users’ preferences is to create flexible instead of fixed-width layouts. We’ve already gone over how media queries can make your pages more adaptable to different viewport widths, but creating liquid, elastic, or resolution-dependent layouts can be used instead of or in conjunction with media queries to further optimize the design for as large a segment of your users as possible.

  • Liquid layouts: Monitor sizes and screen resolutions cover a much larger range than they used to, and mobile devices like the iPhone and iPad let the user switch between portrait and landscape mode, changing their viewport width on the fly. Liquid layouts, also called fluid, change in width based on the user’s viewport (eg, window) width so that the entire design always fits on the screen without horizontal scrollbars appearing. The min-width and max-width properties and/or media queries can and should be used to keep the design from getting too stretched out or too squished at extreme dimensions.
  • Elastic layouts: If you want to optimize for a particular number of text characters per line, you can use an elastic layout, which changes in width based on the user’s text size. Again, you can use min- and max-width and/or media queries to limit the degree of elasticity.
  • Resolution-dependent layouts: This type of layout, also called adaptive layout, is similar to media queries, but uses JavaScript to switch between different style sheets and rearrange boxes to accommodate different viewport widths.

For details on creating flexible layouts, see:

Layout Grids

Aids in: modularity, efficiency

Designing on a grid of (usually invisible) consistent horizontal and vertical lines is not new — it goes back for centuries — but its application to web design has gained in popularity in recent years. And for good reason: a layout grid can create visual rhythm to guide the user’s eye, make the design look more clean and ordered, and enforce design consistency.

Grids can also make your designs more modular and your development more efficient because they create a known, consistent structure into which you can easily drop new elements and rearrange existing ones without as much thought and time as it would take in a non-grid layout. For instance, all of your elements must be as wide as your grid’s column measurement, or some multiple of it, so you can easily move an element to another spot on the page or to another page and be assured that it will fit and look consistent with the rest of the design. At worst, you’ll need to adjust the other elements’ widths around it to a different multiple of the column measurements to get the new element to fit, but even this is not too work-intensive, as there is only a handful of pre-determined widths that any element can have.

Part2 Grid in Modern CSS Layouts, Part 2: The Essential Techniques

All of the content of The New York Times site falls into a grid of five columns, plus a thin column on the left for navigation.

To learn how to use grids, see:

Efficient CSS Development Practices

Aids in: modularity, efficiency

Layout grids and many of the CSS3 techniques we’ve gone over have the side benefit of making your CSS more modular and helping you write and maintain CSS more efficiently. There are also a few CSS development practices that you can use with any of the techniques we’ve already covered in order to reduce the time it takes you to write the CSS for those techniques in the first place, as well as save you time reusing components in your pages.

CSS Frameworks

A CSS framework is a library of styles that act as building blocks to create the standard pieces you might need in your site. While CSS frameworks differ greatly in depth and breadth, most popular, publicly-distributed frameworks contain some sort of layout grid, as well as standard styles for text, navigation, forms, images, and more. It’s a good idea to create your own CSS framework, perhaps based on one of the most popular ones; it can be as simple as standardizing the IDs and classes you tend to use on every project and creating a starter style sheet for yourself.

Good CSS frameworks provide you with a solid starting point for your designs, cutting down your time spent developing, testing, tweaking, and updating. They can also reduce the time others (your team members or those who inherit your sites) spend modifying your CSS, as everyone is working from a standard set of conventions. Frameworks can make your designs more modular by giving you a standard set of classes that can be reused from page to page easily, breaking the styles down into separate sheets that can be applied independently to pages on an as-needed basis, or allowing you to plug in various types of content without needing to invent new classes for it.

But, frameworks have their share of problems too. For instance, publicly-distributed (as opposed to your own private) frameworks tend to have large file sizes, as they need to work for any type of site with any type of content; if they’re separated into multiple sheets, they can further damage page speed since every HTTP request takes time. We won’t get into the full list of pros and cons here, but there are ways to work around many of them, so check out the following articles for the details. You’ll also find links to the most popular CSS frameworks.

Object-oriented CSS (OOCSS)

Nicole Sullivan coined the term object-oriented CSS (OOCSS) for her method of creating self-contained chunks of HTML (modules) that can be reused anywhere in the page or site and that any class can be applied to. Some of the main principles of OOCSS are:

  • using primarily classes instead of IDs
  • creating default classes with multiple, more specific classes added on to elements
  • avoiding dependent selectors and class names that are location-specific
  • leaving dimensions off module styles so the modules can be moved anywhere and fit
  • styling containers separately from content

OOCSS aims to make your CSS development more efficient, as well as to make the CSS itself more modular and less redundant, which reduces file sizes and loading speed.

  • Object Oriented CSS (the original blog post, presentation, and framework, at stubbornella.com)
  • aaaa

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Fri, 30 Apr 2010 13:02:31 -0700 Lies, damned lies and statistics (about TEDTalks) http://rogergwyatt.com/lies-damned-lies-and-statistics-about-tedtalk http://rogergwyatt.com/lies-damned-lies-and-statistics-about-tedtalk

I so need to get the tedpad to prepare for my one-day TED presentation

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Mon, 26 Apr 2010 10:05:48 -0700 David Merrill demos Siftables http://rogergwyatt.com/david-merrill-demos-siftables-12 http://rogergwyatt.com/david-merrill-demos-siftables-12

I have been thinking a lot lately about the concept of software "flocks". Specifically, using the behavior of flocking birds and schooling fish in solving computational problems. Siftables are really cool tech and with some of the same concepts (though not quite a flock).

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Fri, 23 Apr 2010 09:24:00 -0700 Recovering My Golf Swing http://rogergwyatt.com/recovering-my-golf-swing http://rogergwyatt.com/recovering-my-golf-swing

I've been revamping my swing for a while now

Ever since I went to a practice round at the Masters in 2008, I have been revamping my swing to improve my distance. I had always been a relatively short hitter, having started playing late in life, but very accurate. However, I reached a point where no amount of improved accuracy would overcome the lack of distance off the tee and with my irons. I was hitting mid and long irons into too many greens which challenged me with getting close to the hole. Very rarely was I hitting wedge or 9-iron into a green. More common for me was 5-7 irons. The only time I hit 9 or wedge was on a par-5 - on my 3rd shot. I had my handicap down to 10 and was pretty happy about that fact considering I only took up the game 2 years earlier.

Ian Poulter Ruined My Golf Game

Okay, not entirely fair to Ian. My wife going on bedrest with my 3rd child ruined my game, but it was a video of Ian's swing that caused me to revamp my own swing. I discovered where Ian and other pro's get their incredible distance with such apparent minimal effort. Ian destroyed my swing by degrees - the angle between his forearm and the club. I put the video of his swing into V1Home and carefully measured the angles at different points in the swing. Then I put my own video in and did the same. I found that while I was accurate, I was not storing up enough energy in the clubhead properly. So I set out to rework my swing to gain more distance while keeping the accuracy.

Something Had To Give

I worked on growing my ability to let my wrists stay flexible throughout the swing. It meant that my forearm strength had to get better. You see, I realized the physics involved meant that the closer the clubhead (the heavy part) could stay to the center of rotation, the more whip I could generate in the club. Looking at my old video, the clubhead was leaving the center of rotation early and it meant that I was working way too hard. In no time, I gained 10yds with every club in my bag - and my swing was getting more and more effortless. That's the funny thing about golf, it's a game of opposites. Swing harder, hit shorter - swing easier, hit farther. I have kept working on it and now I am up to 20+ yds more with each club, but in the ensuing time my accuracy had dropped.

More Video Provided The Answer

I got sloppy in 2 areas - I started swaying my hips (see my 6 rules to hit the ball straight, and I started coming over the top. It was obvious and should have been obvious as my sloppiness increased, but since I was getting 20yds more with an easier swing I didn't really notice. I didn't notice until I looked at my divots. It was clear. So I had work to do. I went back to my 6 rules and added in my new ability to keep my clubhead under control and everything popped into place. My divots are now straight down the line, my distance picked up a few more yards, my accuracy came back, and I still can control the ball flight like I want. I am working on getting the accuracy back with the driver now before I get back to playing.

How Far I have Come

When I was a 10 handicap, I got there by being very accurate with every club in the bag, but I was not a long hitter. It put a lot of pressure on my short game so I had to be good chipping and putting to make par. Well, I also changed my game attitude which resulted in more birdies and less bogeys. I'll write about that later.

Here the chart with the old and new distances.
PW - 100 - 130
9i - 120 - 150
8i - 130 - 157
7i - 140 - 165
6i - 150 - 175
5i - 160 - 185
4i - 170 - 195
3hyrid - 180 - 210

I think I could still stretch the 8i a bit, don't know why it didn't move up more. I'm pleased with the PW and 9i having made the most jump in those clubs - probably because I work with them more. It is nice that I have extended my clubs and have been able to maintain my accuracy. Once I start playing regularly again, we'll see how it affects my handicap. I'm still not super long, but I'm comfortable with the results. It was a long road, but a fun one. The first time I hit 15 balls from 175 with a 6i and had 10 on the green (where I practice has a green to hit to) and I never felt like I was swinging hard was such a revelation. I knew then I was on the right track - I just needed to get it ingrained in my.

... and it's not too bad for a guy who has had 2 lessons and only been playing for 4 years

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Thu, 15 Apr 2010 18:29:05 -0700 7,500 Online Shoppers Unknowingly Sold Their Souls http://rogergwyatt.com/7500-online-shoppers-unknowingly-sold-their-s http://rogergwyatt.com/7500-online-shoppers-unknowingly-sold-their-s
Media_httpwwwfoxnewsc_uvbqr

I'm guessing they also played WoW....so how much soul could they really have had left?

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Sun, 11 Apr 2010 08:35:39 -0700 An Assortment of Underachieving AT-ATs http://rogergwyatt.com/an-assortment-of-underachieving-at-ats-3 http://rogergwyatt.com/an-assortment-of-underachieving-at-ats-3
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Sometimes the geek in me is overwhelming.

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Wed, 07 Apr 2010 07:33:14 -0700 CSI Miami - Endless Caruso One Liners http://rogergwyatt.com/csi-miami-endless-caruso-one-liners-6 http://rogergwyatt.com/csi-miami-endless-caruso-one-liners-6

How many ways can you say corny one-liners while putting on sunglasses. David Caruso has the answer.

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Tue, 06 Apr 2010 18:58:57 -0700 A Short Love Story in Stop Motion http://rogergwyatt.com/a-short-love-story-in-stop-motion-13 http://rogergwyatt.com/a-short-love-story-in-stop-motion-13

This is, by far, one of the best stop-motion shorts I have ever seen. I like the style, and how the story bookmarks on the edges.

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